digital media strategy blog

Do you like to take photos? Are you always standing by with your camera waiting for that moment that is meant to be captured on camera? You may even be taking photography classes or maybe you have already completed a photography course and you want to share your photos with others. You may want to get into photography as a career and winning a photography contest will help you get recognized. Maybe you are just an amateur that has a favorite photo that people keep telling you to enter.

Whatever your reasons, a photography contest can be a fun and rewarding experience for you. To find out all you need to know about entering a photography contest, read on.

How to Enter a Photography Contest

There are some excellent photography contests out there, some even offer large cash prizes, scholarships to photography schools and really nice cameras and camera supplies. Aside from the prizes, winning a contest may be your opportunity to showcase your photography skills in a national magazine. It’s easy to see why someone would want to enter a contest.

First you are going to want to choose a contest. In fact, there are so many out there you should make a list of ones you are interested in competing in. There are contests in almost every category you can think of; wildlife, underwater, boats, boat docks, people, children, self portraits, birds, tress, flowers, and much more. Some contests are not category-specific but leave you freedom to use your creativity.

Next, you will double check the dates for entries to make sure you are not wasting your time sending to one that has already reached its deadline. You will also want to check any and all requirements to the contest and make sure you qualify. You will then want to check for any fine print and be sure you agree with the terms. For example, some contests have rules about copyright and you give up copyright by submitting, others ask for print to publish - even if you don’t win, and without notifying you. If you do not agree to the terms of the contest, you should not enter. By entering, you are agreeing to the terms. There may also be entry fees required for the contests.

Tips for Better Photos

You may be amateur but if you are entering a photography contest, you are competing with the best of the best. You are going to need your photos to be excellent if you expect to win. There are different things that make up a good photo. If your photography contest is based on a topic, then that topic is going to be counted as part of the score. You will want to be original and if possible, catch a scene that has not been done before. You really want to impress the judges with something you do not normally see.

Next to consider, are your technical aspects of your photograph. You are going to want to have excellent composition, lighting, focus, contrast, exposure, perspective and more. There are many factors involved in taking the picture that will win the photography contest. You may not win every time but you should learn something about photography and how to make yours better each time you enter.

Looking for information about Photography?
Go to: http://www.asaphotography.com
‘ASA Photography’ is published by Colin Hartness -
An excellent resource for Photography!
Check out more Photography articles at: http://www.asaphotography.com/archive

Tight Budgets

Tight budgets are common these days. But the demand for high production values hasn’t fallen with a drop in funds. So how do you achieve a slick looking series of shots without breaking the bank? Hire a portable dolly or a portable jib for only £40 a day.

Portable Dollies

One way to make your production look like Martin Scorsese was on location is to hire Martin Scorsese. But if you had that kind of money you wouldn’t be reading this. Instead, consider using a portable dolly with track. They don’t take up much more space than a tripod, they weigh less than ten kilos and the cameraman can easily use one without assistance.

The most common models are the Digidolly, the Wally Dolly and the Hollywood Microdolly. The first two are made in Australia and the third is made, as the name implies, in the U.S. Different cameramen have their preferences and you can call us to discuss the merits of each. The Digidolly is becoming the most popular. Below are a few details on all three models.

Digidolly

Australian-made lightweight portable track and dolly system that can be set up on location within minutes. The dolly takes a tripod and it also has a low-level Hi-hat mount. The Digidolly comes with 3.6 metres of aluminium track and its construction allows for smooth movement.

Hollywood Microdolly

The US-made Microdolly kit weighs only 4.5 kg and fits into a soft case only 86 cm long. The dolly takes a tripod and comes with four metres of track. The kit can be set up within minutes and can handle up to 45 kg of camera gear.

Wally Dolly

Australian-made lightweight (8 kg) track and dolly kit. The dolly takes a tripod and comes with three metres of aluminium track. The kit can be set up within minutes.

Dolly Shots

So you’ve got the dolly, what’ll it do for you? Use it for presenter links to add nice, smooth movement that takes it several notches above a handheld shot. Use it for interviews to give your interview a different, more interesting look. Use it for exteriors and interiors of buildings and homes. Use it to shoot performances. The list goes on and if used well the impact can be strong and you will have raised the production value of your shoot dramatically for an extra 40 quid and for only a little more time.

Portable Jibs

Like portable dollies, portable jibs can be used by a cameraman without an assistant. They need weights so taking them on a job abroad and incurring hefty excess baggage costs makes them impractical for that purpose but if you’re using a standard crew van they’re easily managed. We carry two models. If you’ve used them a few times, you can set them up within five minutes.

Eazy Jib

The Eazy-Jib can be mounted on a standard tripod with a 100mm bowl and enables a cameraman to do interesting camera movements almost anywhere. The Eazy-Jib has an adjustable arm length that can be set between 720 and 1600 mm (2 feet 4 inches and 5 feet 2 inches). It weighs 14 kg (31 lb) and can handle a payload of 18 kg (40 lb).

Quadra Jib

A portable jib arm that can be mounted onto a tripod with a 100mm bowl. The Quadrajib 2654 weighs 14 kg and can handle a payload of 19 kg.

Jib Shots

How can you use a portable jib? Again, you can make presenter links look far better than they will off the shoulder or from a fixed tripod. You can use them to bring any otherwise static subject to life. For shots around a garden, property exteriors and interiors, the list can go on. The result is the same as with portable dollies. The 40 pounds you spend will add many times that in production value.

Last Week’s Lyrics

You may remember last month’s lyrics question: who wrote “even the president of the United States sometimes must have to stand naked.” That was easy but hardly anyone got the answer right. It was Bob Dylan. This week’s is a little tougher. But the writer had profound impact on the music business. “I’ve never seen a night so long, as time goes crawling by.”

If you have any questions or comments please send them to cal@procamtv.com. Until next month, happy shooting.

Cal Barton - Procam Television

Procam Television
Units 3 & 4
Linford Street Business Estate
Linford Street
London
SW8 4UN

Tel: (+44) 20 7622 9888
Fax: (+44) 20 7498 1580

Email: cal@procamtv.com
Web: www.procamtv.com

I once heard a lady say to a photographer that she would have bought his work if it had been a painting. She liked the image, but for whatever reason didn’t consider the medium suitable for her “it’s just a photo”.

I am sure that some share her thoughts, whilst others would be quite happy either way, but a growing number of people do recognise photography as an Art form. And collect it.

“There are three fundamental components of what we call art. First, is the artist; second, is the medium; and third is the artwork. All three, clearly are interrelated.” Tad Beckman

Defining photographic art

It is true many people do regard photography as merely a reproductive medium, and the photographer as simply the technician. And if this were just about your holiday snaps then it would be a valid point.

So let’s start with my definition of photographic art. I say my definition because there is no stock answer it means different things to different people.

For me it’s about creating a beautiful image that is an interpretation of the scene that I saw in my mind captured on film, rather than just a recording of what is already there.

It’s about the photographer being the choreographer of the various components; the composition is critical, as is the lighting, weather conditions and the colours at play.

It’s not just about pressing the shutter release, although timing is everything. Patience comes into play too, as you wait for all the components to be perfect all at the same time.

Some things you can control, but the weather well that constantly throws out surprises that can add that hint of drama to a picture or send you home disappointed.

It’s these uncertainties that add the challenge, and this results in creativity as you respond to the situation. Other photographers will have their own criteria, but we all are producing very personal pieces of work that we feel passionate about and that are a representation of our interpretation of the world.

A photograph - more than just a sheet of paper with an image on it?

Oh yes! Typically a photographer will capture an image that pleases their eye. They will create something that is close to their heart, and therefore give a little of themselves in the image.

Effectively they are allowing you to see how they perceive the world to be, one moment at a time. Add into the fact that many photographers print their own work (once they have an order!), and sign it then you could say you are buying a piece of history - or designer art!

In other words you are not buying a mass produced print, and naturally the price reflects this. You are buying into the reputation of that photographer and you will expect to pay more. When someone is starting out and building reputation then you are investing in the potential of that person.

You won’t pay as much, but you’ll be backing your own instinct and demonstrating your belief in that person’s talent. Contemporary photography is affordable art.

Subject matter - does it matter?

Personally I don’t believe it does, and I mean this in the sense that people will be drawn to your work because they have seen something of yours and liked your style, and typically that means they like your choice of subject matter too.

My preference is for landscapes and increasingly flowers, whilst other photographers prefer sport, people or a more abstract approach to name but a few.

I think the key to preserving artistic integrity is to shoot for your own personal satisfaction, although naturally as your reputation builds you will develop an understanding of what collectors want, but for me I always have to love the image myself to want to share it with the world. Anything less and it stays in the drawer!

I still experiment, and search for new subject matter, but my photographic style is what it is. It just keeps evolving.

A new language

Understanding the language of the image is something quite individual to the viewer, it does not explain itself in the same way to each person. It is subjective. And although some may view photography as easy, believing that there own point and shoot cameras can produce similar results to a master photographer are confusing the issue.

After all most of us have made paintings at some time in our lives, and may still own paint brushes, but wouldn’t necessarily look at a painting by a master and not consider it to be art would we?

It is the heart and hand of the author behind the brush, camera or pen that executes the creative vision not the tools used.

About the author: Sue Kennedy, LRPS & LBIPP
Sue Kennedy is an UK based photographer specialising in outdoor photography and works on commission for companies & individuals as well as shooting for picture libraries. To purchase from Sue’s current print and card selection visit her Website http://www.blueeyesphoto.com

Copyright © 2004 Sue Kennedy
Blue Eyes Photography Ltd